Movie Review: The Captive (2014) – A tired 2nd half makes this prime for a Red Box Rental

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There is nothing quite like a lighthearted romp about an abducted child, right in time for the holidays. Sigh. The Captive is an indie flick that is currently suffering from some seriously poor timing, on top of a been there, done that script.

In The Captive, we meet landscaper Matthew Lane (Ryan Reynolds). One snowbound Canadian day (is there any other kind?) his daughter Cass (Peyton Kennedy) disappears from his parked car. Of course, his wife Tina (Mireille Enos) blames him and the tragedy destroys his marriage. Jump to 8 years later when we meet Cass’s abductor Mika (Kevin Durand), as well as the teenage Cass (Alexia Fast) who has herself a hefty case of Stockholm Syndrome. Thrown into the mix is a police officer who won’t let the case die, Nicole Dunlop (Rosario Dawson) and her skeptical partner Jeff Cornwall (Scott Speedman), who seriously suspects Matthew in the girl’s disappearance.

This movie starts out well enough, because there is a sense of suspense and disaster. Ryan Reynolds plays the part of the grieving, bereft father well, and his emotional reunion with his daughter is a tear jerker. Dunlop is suitably no nonsense and vulnerable. Had this been a straight shot, the movie would have been a winner in my book. Heck, it would have been right up there with Gone Baby Gone. It has the directing chops behind it, with the amazing Atom Egoyan.

Egoyan ruins it with far too much jumping around in the timetable. While flashbacks can be a great addition to a frightening story, I find them unnecessary when the story isn’t much of a mystery. Cutting back and forth in the timetable took a lot of the dramatic tension out of the film, which is something this movie really had going for it.

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Then, with the addition of two poorly written characters, the script never really recovers. The first is Mika, who is such an over the top evil mastermind, he even twirls his pencil mustache. It’s like Egoyan wanted to make this character weird, but took him to a level that made him cartoonish instead. The unnecessary asides about how much he loves The Magic Flute are both strange and confusing. Durand has the skills of a high end B movie actor and his inability to turn his character into anything more than one dimensional evil ruined Mika.

Next was the character of Jeff Cornwall, who just didn’t fit. Yes, I get every cop is skeptical in a missing child case, but this guy goes too far. He is so corny and over-dramatic I had to check and make sure I wasn’t watching a Lifetime movie.

This movie feels like a half and half effort. The first half is excellent, with well written characters suffering from every parent’s worse nightmare. The second is just strange, with unbelievable characters and over acting. The pacing kind of mixes everything up. As a result a good effort falls flat. While I will say this movie is worth the watch, it’s probably best viewed for free in the comfort of your home… when it makes it inevitable premier on Lifetime.

WE GAVE IT: 3.5 Stars – Watch the Official Trailer and Official Movie Poster below!

3.5 stars

 

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Movie Review: If I Stay (2014) – Too much sap, Too much symbolism and Too much melodrama

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If I Stay is the much anticipated film attempt at the best selling book of the same name. Right now, it’s rocking number 3 at the box office because let’s be honest, people love movies where young people might die. The movie starts out with Mia Hall (Chloë Grace Moretz), who initially thought the hardest decision she would ever face would be whether to pursue her musical dreams at Juilliard or follow a different path to be with the love of her life, Adam (Jamie Blackley). Enter a snowy Oregon night and an inattentive driver and suddenly, Mia is in a coma. For one day, she is trapped between life and death, trying to make the decision to snap out of it or let go. As if that premise wasn’t depressing enough, toss in a lot of melodrama and you have the perfect recipe for a young adult hit. The movie goes too far. It’s too much sap, too much symbolism and too much melodrama with no humor. The coma is not treated realistically, and I’m not just talking about her out of body experiences. I’m pretty sure if the majority of young, beautiful people with their whole lives in front of them were trapped in a coma, they would immediately opt out. But this chick can’t decide whether or not to wake up. That’s the whole premise of the movie. Her deciding to stay.

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The answer should be an easy yes. She’s not maimed, she’s not in “please put a pillow over my face” terminal illness pain. She’s just taking a short nap and she can wake up whenever she wants.   One character I did like was her boyfriend, who was a bit of a cliché but a fun one. Adam is the bad boy nonconformist to Mia’s empty cello playing life. For the roll, Blackley did well and I found this to be a young actor to watch. My only problem was his music. I mean, the guy is supposed to be this huge nonconformist, then when he plays his music, it sounds like a souped up version of Dave Mathews. For a movie that’s supposed to be character driven, it’s not very character developed. Mia comes off as this teen-angst filled good girl who suddenly develops borderline personality disorder. Adam is the requisite bad boy with a heart of gold. Here’s the major problem with this movie; everyone is too perfect. The parents love the boyfriend, who loves them right back. Mia loves everyone and no one ever fails. The beginning of the movie shows her boyfriend opening for a major rock band in ‘flash to the future’ section…The optimism of youth.

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She’s given no reason to not want to stay! Now, if her mom had been a crack head, she had an alcoholic father and was a GED dropout with a meth dealing boyfriend, then I could understand the major conflict. If your life is terrible, then you have a reason to not want to return to it. But “I can’t decide between the finest musical school in the world or my perfect boyfriend”? Talk about your first world problems. If YOU stay at the theater for this one, you’ll have plenty of company for your nearly 2 hour nap. My recommendation is save it for that chick you’re trying to impress…you know, the one that liked Twilight.

 

WE GAVE IT: 3.5 Stars – Watch the Official Trailer and Official Movie Poster below! 3.5 stars

 

 

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Movie Review: Sabotage (2014)

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This week I watched “Holy Sh@t Arnold Schwarzenegger Got Old”… Sorry, I meant to say I watched Sabotage, but that’s all I can think when I think of that movie.

In “Sabotage”, an elderly Arnold Schwarzenegger leads an elite DEA task force that takes on the world’s deadliest drug cartels by infiltrating them with senior citizens. Sorry, I just can’t stop. Anyway, Arnold plays DEA agent John “Breacher” Wharton, whose team members are being killed in incredibly gory ways. He investigates the case, to find out which one of his team members is a traitor.

I will say, I like Arnold in this role. It’s not as squeaky clean as the guys he usually plays. He almost reminded me of Vic Mackey in The Shield. He was just as dark and just as morally twisted. While his dialog is stilted at times due to his accent, in this film it works.

The timeline of the movie is a little bit off. The plot drags out through the majority of the movie, and doesn’t get resolved into about the last ten minutes. Then, all the action goes by in the blink of an eye.

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The direction of the movie is gritty and shocking. This prevents it from turning into horror porn and still has an intriguing style. It’s not as goofy as some of the parts Schwarzenegger has played. It’s a bold, ugly movie that will absolutely work for anyone who likes their dramas gritty.

This movie played out a bit like an exploitation flick. Harsh language and harsher scenes are a little bit over the top. Think ‘brains and intestines’ spraying all over the place. I expect that kind of stuff from a tongue in cheek crime movie, but this movie clearly takes itself very seriously.

There is no comic relief at all. The tension is rarely broken, which makes the movie a bit exhausting to watch.

Sabotage isn’t high class. In fact, it feels a little like a movie made for a late night on cable. The plot itself is thrown together, and the mystery isn’t that mysterious. I did enjoy the way it played with the grey area, but the over the top scenes ruined any real dramatic statement. As a result, a movie that could feel like “The Untouchables” instead felt like yet another Rambo sequel.

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I’m going to say, I loved the female characters. Mireille Enos plays the team’s bad assed chick, and her first scene starts us off with incredibly high hopes for the movie. It really plods when she’s not around. What I would really like is a movie just about her character; a coke sniffing, thrill seeking dirty cop.

lf you’re looking for something gritty, dark and explosive, Sabotage might be a good choice for you. It’s not exactly a date movie, thanks to its explicit scenes, but it’s good for an audience who doesn’t flinch away from darker action movies.  Watch the Sabotage Official trailer.

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